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Diagnosed with phantom pain
2020 - ongoing
Julia Albrecht

Under the surface of the superficial are significant issues which touch every part of our lives. They are affecting our perception in any possible way, from school education to our health care system. Sometimes they can cause enormous damage, like depression, or in my case, depression procures by structures and norms our society believes in, like hot water that heats up until you burn your skin. Some call it hysteria or manifest it as craziness. Problematic is the social meaning that we ascribe to the human body, which is rooted as an intended failure or, in other words, the horse‘s mouth of gender. As men don‘t have female bodies, they skip the fact that women, or people who identify themselves as female, stumble upon other problems in daily life. We live our lives like defective male beings because our differences are ignored and converted into gender-neutral. Unasked, we have to face unequal payment, sexual harassment, male violence, unpaid workload and still have to act like little princesses perfect we can call it discrimination against women supported through education and socialisation. 


It is weird to grow older and realise what your mother has been through after a specific time, the façade of the perfect life begins to crack, and the crumbling plaster reveals the broken foundation. They say: don‘t look too deeply into things, or you will look backwards. It feels like I am looking at myself apart from my body and judging whether I am behaving correctly. The photograph serves as a marker to show me where I was and how I moved on. It is about the process of therapy and healing and gives me a safe space to speak out my silence when in moments, I lose my voice. A silence that is coming out of my experience of growing up to be or become a better woman.

Julia Albrecht is a lens-based artist exploring psychological and cultural aspects of depression and trauma. She uses photography, video, and writing to uncover their emotional and psychological effects, particularly in relation to gender and binary relationships. She examines these issues using the body as a tool for identity and creates spaces for viewers to connect and understand. Her installations are influenced by medical utensils and use
materials such as silk, velvet, and bronze in contrast to industrial materials like concrete and steel, creating a balanced tension of comfort and discomfort in her works. This dynamic approach to materials is crucial to her artistic research. 

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